In podcast episode 87, I answer questions about amps and ways to reduce noise.
As a follow-up to that discussion, I want to share my experience playing in a hall that had amp isolation enclosures offstage for guitarists to use.
Here’s a pic of the stage during the set.
Here’s a short video from the setup where you can see the amp enclosures.
There’s a little more to the story. Ryan’s pedalboard…
…was connected to the isolation enclosure using a Radial SGI Studio Guitar Interface. This system is used for long cable runs to avoid signal degradation and interference. One unit is close to the pedalboard on stage. The other unit is close to the amp offstage. They’re connected using a long XLR mic cable.
The whole band used in-ear monitors on stage.
When Ryan records at home with his amps, he mics them up in a closet and surrounds them with soundproofing boards made from plywood, upholstery fabric, and a product called SAFE’n’SOUND.
You see the amp exposed in the pic above. When Ryan is recording, he covers the amp up with more soundproof panels like you see him holding below.
With his amp in the closet surrounded by sound-proof insulation, Ryan can work at his desk in the next room and record tracks at a comfortable level using his studio monitors. Check out Ryan’s work here.
So, now you see some of the tricks of the trade used in live and studio situations to reduce the amount of noise made by real guitar amps. With these sound-reducing techniques, guitarists can crank up the volumes on their amps to hit the sweet spots without the noise being overbearing for themselves and others.
For most at-home players, using a small, low-powered practice amp is easier and less expensive to use. For options, see the Blackstar Fly 3, Vox Mini5, Spark, Fender Mustang GT, Yamaha THR10, Roland Cube, and Boss Katana Air.